"The key to theatre's survival lies in connecting with audiences: Vinay Kumar"
A scene from the play The goal of theatre is to hold a mirror up to society, believes Vinay Kumar. “From village plays to grand productions, theatre aims to bring the aesthetics of the world to the ...
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Vinay Kumar, a theatre artist currently touring India with his play Urmila, believes that theatre's goal is to reflect societal issues by bringing the aesthetics of the world to the audience. He emphasizes the importance of relevance and thought-provoking content in art, such as addressing gender, politics, and social concepts. Through plays like Urmila, which explores power dynamics and themes of consent and agency, ancient stories are reimagined for their philosophical elements rather than mere novelty. Vinay, also the managing trustee of Adishakti theatre laboratory near Auroville, stresses the significance of these themes in contemporary society and their impact on people's lives. He points out the need for dedicated theatre spaces in India, highlighting the challenges faced in finding suitable venues for showcasing theatre compared to other art forms like publishing books or showing films.The specific requirements of theatre productions are crucial for the flourishing of this art form. While cities like Mumbai, Delhi, and Bengaluru have made strides in this area, the real challenge lies in establishing a nationwide network of such spaces. "Creating a conducive environment for radical ideas is paramount," he emphasizes.

A theatre space acts as a hub where individuals can come together to exchange thoughts, engage in discussions, and pursue their creative interests. It serves as a breeding ground for new bands, budding writers, and aspiring filmmakers. Historically, iconic theatres have been instrumental in nurturing intellectual development and groundbreaking ideas. These venues offer a sanctuary where individuals can question the status quo freely. Without such spaces, people may feel compelled to adhere to prevailing trends and conventions, a responsibility often shouldered by theatre creators. Governments must introduce cultural policies and allocate resources to establish dedicated theatre venues," he stresses.

"We need to promote a deeper appreciation for theatre among the public," he affirms. The survival of theatre in the modern world hinges on our ability to engage a diverse audience, including those with limited exposure to the arts. It is vital to create avenues for people to cultivate their love for theatre by introducing them to various art forms, ranging from literature to cinema, and fostering an inclusive ecosystem where all these art forms can thrive harmoniously."

In the case of "Urmila," the play offers a fresh perspective on traditional narratives by delving into a seemingly innocuous statement made by Lakshmana: 'Go and sleep for 14 years.' This line acts as a catalyst for exploring themes of autonomy, agency, and power dynamics between characters. The play challenges the logic behind Lakshmana's request and delves into the repercussions for Urmila. She confronts the demand to resign herself to a passive role and asserts her autonomy," he elaborates.

(Adishakti Theatre introduces 'Urmila' as a thought-provoking exploration.)Ranga Shankara will be in Bengaluru on September 20 and September 21.